Andrew Taylor Author

Crime and Historical Novelist

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A Note on Authors’ Egos

For those of you sensible enough not to write books, a word of advice: authors are fragile creatures, usually vain and insecure, whom it is frighteningly easy to damage with a careless word or even (sometimes worse) with no word at all. Please be careful how you handle them.

Fortunately such creative fragility has its positive side. An encouraging word from a person whose judgement an author respects is equivalent to a glass of champagne or a dry martini on an empty stomach. The world instantly becomes a kinder, happier place.

Which is why I am rushing to broadcast quotations from two national reviews of my latest novel which appeared this week.

‘Taylor’s ability to conjure time past is second to none and here he blends a school story for adults, a ghost story and a mystery for a sublime evocation of a closed world…’ – Guardian
‘Taylor’s position at the apex of historical crime writers is reinforced [by] this page-turner…’ – Financial Times

Anyway, to change the subject and raise the tone, here are a couple of photos of the medieval wall-paintings at Kempley church, Gloucestershire. These are of national (and in some cases international) importance. The chancel vault and walls is crammed with extraordinary twelfth-century work like this one of six apostles staring adoringly up at Christ:

And here is another, from the fifteenth century, around a window (with much later stained glass), which is in the nave:

These are just two of the paintings. I urge you to go and see the church if all possible and relish its impact as a whole. Then write something appreciative in the visitors’ book. Artists, even dead ones, have fragile egos too.


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About

Andrew Taylor is a crime and historical novelist. He has written nearly fifty books, listed here, three of which have been televised. Awards include the Diamond Dagger of the Crime Writers Association, the Gold Crown of the Historical Writers Association and the Historical Dagger (3 times).